11th Biennial Juried Member ExhibitionHeld at Items shown included jewelry, sculpture and holloware and ceremonial and ritual objects. Gold and silver predominated in the materials used, other materials included gemstones, enamel and found objects. 6 exhibitors were awarded Juror’s special recognition (images above from left) Nick Grant Banes, Tina Chisena, Susan M. Garten, Wesley Glebe, Eric Margry and Evelyn Purvis |
JURORS STATEMENT
Thomas Gentille
Bringing forth a piece of jewelry from any material can be extremely difficult and extraordinarily rewarding. In this we are all fortunate, for success or failure is accomplished through our own talents and efforts.
Do not envy anyone asked to judge an exhibition. It can be amazingly complex and exhausting. Being absolutely honest and fighting one’s personal prejudices (both good and bad) when looking at hundreds of works is tiring. It is also hard on the feet, the back, and the eyes. However, as in the Washington Guild of Goldsmiths’ exhibition, when the quality and enthusiasm of the work runs high, a kind of joy overtakes the judge. This joy soars when working with a fine fellow judge, and especially when aided by a superb, hardworking, and gracious staff.
By the time we announced the prizes, I was on cloud nine. It is most pleasant to float on that cloud above the earth for a while. Perhaps you might envy the judge after all, or better yet, take pride in that you enabled someone to soar.
Chris Darway
Metal working and its traditions go back in time almost six thousand years. Simply gaining an ( awareness of all known techniques would be a daunting task, let alone learning them. It would be a life’s work just to master one or two techniques of jewelry-making, not to mention the techniques of sculpture, hollowware, and blacksmithing.
There are numerous ways that people acquire the skills of metalsmithing. Some people come to metals as a hobby or a part-time endeavor and polish their skills through workshops, videos or books. It doesn’t matter where or how we learn. The goal is the same. We strive to develop our skills to a level where a design in our minds eye can become an object that can be held in the hands.
My designer-craftsman training was comprised of a foundation program at a traditional art college, followed by classes in design, sculpture, drawing, and metals. The term ‘designer-craftsman was coined during the sixties to describe who we are and what we do. When I look at others’ work, I do so as a designer, a craftsman, and as a teacher.
There are several different goals to achieve, as a juror, when critiquing someone’s work For me, critiquing is teaching by advice -offering options and suggestions. The two main areas to critique are design, which can be subjective, and technique, which is not. To jury is to judge a work. The work must be judged on its own merit and must be compared to all work that has come before it. Remember our tradition.
As a juror, I look for work that will raise my eyebrow for its technical merit or put a smile on my face with a clever solution to a design problem.
The Washington Guild of Goldsmiths gave me the chance to raise my eyebrow and smile a number of times. As a designer-craftsman and a teacher, I encourage people to come to the craft with the sole intention of pleasing themselves with their work first, and worrying about others’ opinions later.
- Diana Dardis Gold Flow Bracelet 8″ x 3/4″ x 3/16″
- Dana Bussell Untitled Pin 2 1/4″ x 1″ x 1/2″
- Cindy Calahan Lobster Pearl 2″ x 2″ x 1/2″
- Beth Carey Secret Shield Pin 3 1/2″ x 1 3/4″ x 3/8″
- Adrian Luxmoore Teapot 7″ x 4″ x 7 1/2″
- Ralph Scorza Artifact 2098 – Pendant 3″ x 1″ x 1″
- Phoebe Mix Standing Spoon 7″ x 2″ x 1″
- Maria Carvalho Imitating Nature – Pendant & Neck Ring 9″ x 5 3/16″
- Carol Oshinsky Urban Renewal I Brooch 1 1/2″ x 1 13/16″ x 3/16″
- Winifred Anthony Painted Pear – Locket/Pendant 2 ½” x 1 5/8” x ¼”
- Penelope C. Barringer Untitled #1 – Brooch 3 1/4” x 2 1/4” x 1/2”
- Dina Weavers Seaweed Necklace 17″
- James Cohen Harlequin Shot Glasses – set of three 2″ x 1 1/2″
- Dawn Benedetto Wide Cuff 2″ x 2 5/8″ x 1″
- Jacalyn Watson Thomas Collar 16 1/2″ x 4 1/2″ x 30″
- Anne Paynter-Hill Moon Glow Necklace 1 7/8″ x 1 7/8″ x 3/8″
- Susan M. Garten Here Be Dragons Bowls I & II 4 1/2″ x 7″ x 6 1/2″
- Abby Schindler Goldblatt Red Wall – wall sculpture 8″ x 7″ x 5″
- Mary Ellen Trozzo Aquamarine Ring 1.08″ x .84″
- Yvonne Arritt Bronze Vase 8 1/2” x 3” x 3”
- Christina Gebhard My 1st Noise Maker-Baby Rattle 2 1/4″ x 2 1/8″ x 1″
- Tina Chisena Mirror of Life 4 3/4″ x 2 1/8″ x 2″
- Jan Maddox Open Grid Brooch 1 3/4″ x 1 3/4″ x 1/4″
- Jan Mandel Brooch/Pendant 4″ x 1 3/4″ x 1 1/4″
- Christina Solak Flower Ring 5/8″ x 7/16″ x 7/8″
- Janet Long Bracelet 2 1/2″ x 2 5/8″ x 1″
- Gretchen Raber “Morphosis Landscape Grid” – Brooch 4″ x 4 1/2″ x 3/4
- Velvette DeLaney GWA Brooch 1″ x 2″ x 3/8″
- Bill Hall Tall Tea- teapot 10″ x 8″ x 4″
- ZsuZsi Wolf Bracelet 8″ x 13 mm x 11 mm
- Cindy Brandt Dichro Window Necklace 8″ x 6″ x 1/4″
- Jeanette Landenwitch Mini Flower Vase with Base 3 3/4″ x 2 1/4″ x 2 1/2″
- Ron Starr Torah Breast Plate 19″ x 8″ x 1/2″
- Susan Sanders Brooch 1/2″ x 2 1/2″
- Ursula McKinney Trumpet Flower – Necklace 1″ x 1/2″ x 1/8″; necklace 26 inches
- Shelley Walck SeeShell Hors d’oeuvre Set 4 1/2″ x 3/4″
- Katja Toporski Earrings 1″ x 1″ x 1/4″
- Barbro Eriksdotter Gendell Golden Points View #1 Pendant with Chain 3″ x 2″ x 1/2
- Cynthia Brown-Milans Princess – Ring size: 6 1/2″
- Joann SordelliniPatterns of Places – Necklace 2 3/8″ x 1 3/8″ x 1/4
- Carol Lavrich Chain Necklace and Domed Pendant 27″ chain; 2 1/10″ diameter pendant
- Pamela Hackim Sanctuary I – nest with eggs 5″ x 5 1/2″ x 1 3/4″
- Marie SusinnoPentagon Cut Away I – Brooch 3 3/4″ x 2 1/2″ x 1/4″
- Ximena Briceno Fall Poppy – Lapel Pin on Box A 6″ x 2 3/4″ x 1/4″
- Mimi Harris Bug Spoons – set of 8 6 3/8″ x 1 1/4″ x 18g
- Roy Ysla Brooch III 2 1/2″ x 1″ x 1/8″
- Patricia M. Perito Gift from the Sea – Table Sculpture 3 3/4″ x 5″ x 4 1/4″
- Johnnie Gins Red Frog Pin/Pendant 2 1/2″ x 3 3/4″
- Dorothea M.Stover Jazz II – Pendant 2″ x 1 1/4″ x 1/2″
- Evelyn Purvis No Sugar, No Calories, No Fat – Table piece1 1/2″ x 7″
- Lisa VershbowNovy Arbat #12 – Sculpture with Brooch 16 3/4″ x 1 3/4″ x 1/2″
- Eric Margry Bulge – Necklace 7″ x 9″ x 1″
- Pamela L. Browning Rising Sun – Pendant 3″ x 1 1/2″
- Carrie Singer Visions of Marienna – Necklace 9″ x 6″ x 1/4
- Angela Venier sterlingsilver, pink coral carved, cast
- onnie Badowski, Rattlesnake Toy 13” x 1” x 1”
- Louise Rothenberg Business Card Holder 1 3/4″ x 4″
- Alicia Roman, Coif the King – Necklace 4″ x 1 1/4″ x 3/16
- Nancy Kahn De Mulder Mix it Up – Detachable Rearrangeable Lavalier/Pendant drop 6 1/2″ x 1/2″ x 1/4″
- Wesley Glebe 4 rings 23mm x 3mm
- Nick Grant Barnes Bowls, Owzat I & II 3” x 4” x 4” each
- Virginia Kliever Gentle Hands I – Pendant on chain 1 1/2″ x 1 1/16″ x 1/3″
- Lois Schwartz Ivy Vine Necklace 19″ x 1 1/2″ x 1/4
- Judy Sugar Twigs – Brooch 1 1/4″ x 6″ x 1/2″
- Cynthia Corio-Poli Enameled Ring with Circles ring size 5 ½
- Naomi Heller Interrupted 1″ x 3 1/2″
- Nella Fischer Shell, box 2 1/2″ x 2 5/8″ x 2″
- Kim Jones Brooch 2″ x 2″ x 1/8″
- Pamela Hill-Byrne Bracelet 7 1/2″ x 1 1/2″
- Nan Harmon Priscilla – Mask 13″ x 8 3/4″ x 1 1/2″
- Cecilia Tao To Fly – Brooch 5″ x 1 1/2″
- on SuddendorfSpinning Top Moonstone Ring 6 5/8 ring size
- Estelle Renee Vernon Brooch #3 Grasses with Diagonal / Japanese Textile Series 3″ x 7/8″ x 3/8″
- Monica Tinker Full Circle – Pendant/Brooch 5 1/2″ x 2″ x 1/4″
- Pamela Hackim Sanctuary I – nest with eggs 5″ x 5 1/2″ x 1 3/4″
- Kathleen Baker Necklace 3/4” x 1 3/8” x 1/8″